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Prelude Classics

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niedziela.pl, opus, review, classical, klassiek, dsd, dsf, hires, multichannel, sacd, hiend
niedziela.pl, opus, review, classical, klassiek, dsd, dsf, hires, multichannel, sacd, hiend
niedziela.pl, opus, review, classical, klassiek, dsd, dsf, hires, multichannel, sacd, hiend
“The two-CD set has also been beautifully recorded in a suitably small ‘salon-style’ room. It can be listened to in DSD two-channel stereo, DSD multichannel surround sound and in conventional CD stereo, which is the way I listened. The production is handsome with a gatefold enclosed in a card slip case and some excellent notes in Polish, English, French and Japanese” - Jonathan Woolf

— Music Web International

“A new, outstanding recording makes a very strong case for the keyboard suites of Jean Baptiste Loeillet.” - Steven Silverman

— Early Music America

“...the sound image is completely convincing: detailed, airy, balanced and subtle, but also substantial and perfectly nuanced...” - Aart van der Wal

— OpusKlassiek

“...we are dealing with an album that will delight both purists of harpsichord music and those who insist on recording quality (here: multi-channel SACD)...” - Piotr Iwicki

— Niedziela

“I've already written about it, but I'll repeat it because nothing has changed in this respect: I like this album very much, musically but also sonically. It is extremely pleasant to listen to, and with a high- end audio system it will give a dense, enveloping sound with a very relaxing character. We will want to listen to it loud because as we turn up the volume knob we get a bigger and bigger, deeper image of the instrument, something like a window open between the speakers. Highly recommended!” - Wojciech Pacuła

— HighFidelity Magazine

“...A clarity enhanced by the quality of this audiophile recording, during which the signal trajectory is as short as possible so that distortion caused by equipment is minimalized...” - Jean-Yves Dupperon

— Classical Music Sentinel

“...It is naturalness that makes one subconsciously perceive a recording better than another, that it affects us more strongly. And the naturalness of the sound of instruments is captured almost exclusively in top-class recordings. So what I heard and what I felt gives me grounds to say that JEAN BAPTISTE LOEILLET's ‘Six Suits for the Harpsicord’ performed by Maria Banaszkiewicz- Bryła is an excellent realisation, worthy of the best audio systems...” - MArek Dyba

— HiFiKnight

Prelude Classics
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SA-CD / CD | 24K | Hi-Res Files

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