“they sound refined and elegant, a perfect match for the album’s pastel-hued design. Not a trace of presumptuous ornaments or fierce tempi. It is a Bach approached with moderation and respect, also of the two performers for each other, which distinctly turns their interpretation into a dialogue”

“The album reviewed here demonstrates an open and ‘carrying’ (that is, so to speak, ‘anticipatory’) sound, by which I mean – lively, resonant, and sparkling. Its openness, in turn, seems to depend on a slight preference being given to the upper range. Both the violin and the harpsichord are relatively quiet instruments whose sound emphasises the middle and high registers, which makes such a concept of sound presentation fully consistent”

“Again they offer their vision guided by a fine hand (...) Thus they can convincingly and intensively convey these works. They also make clear distinctions between the fast, more rhythmic movements and the slow ones, where they allow emotional layers to emerge. In doing so, they also emphasize that this chamber music in particular already points beyond the baroque form in a more gallant compositional direction” - Uwe Krusch

“The interesting project of Prelude Classics Music Record Manufacture is the work of excellent musician Michal Bryla, member of Meccore String Quartet, whom we can now admire in his capacity as a recording producer (...) In his booklet essay, Krzysztof Lipka writes: “Every note of this music remains exactly where Bach’s unique genius once placed it.” Both performers seem to respect this judgment, discovering the accomplished fullness of Bach’s music in the musical dialogue of the violin and the harpsichord, and revealing its secrets to the audience.” - Alina Madry

“These are generally robust, attractive readings and the production standards of booklet and recording are high” - Jonathan Woolf