“...Mozart served up with loving care and a touch of class!..” - Jean-Yves Duperron
“Bryla’s recording, captured with pleasantly warm surround sound, relies not only on his skill but also on the effect of the music itself.” - Uwe Krusch
— pizzicato.lu
“These are generally robust, attractive readings and the production standards of booklet and recording are high” - Jonathan Woolf
— MusicWeb International
“"...These are performances that are both ever-mindful of Baroque proportion, and immensely heartfelt and communicative (...) The recorded sound is excellent. A superb disc..."” - Ken Meltzer
— Fanfare Magazine
“...this is an incredibly impressive hardback (cardboard) CD package - including a substantial booklet complete with extensive text and numerous pictures of the performers, and a gold CD recorded in 192 kHz/24bit digital encoding/mastering. All produced, engineered, edited and mastered by Michal Bryla himself. Very impressive indeed!..” - David Rowe
“These are riveting performances of four of Mozart’s best works for piano and violin. The young Polish artists play with a great love for the music and a natural understanding of the style and flow of Mozart’s music” - Peter Burwasser
— Fanfare Magazine
“...It's reverence, focus and restraint; a controlled emotion, precision and clarity in the delivery of the text. But also important is the attention to a beautiful sound - space for the sounding out of the next notes...” - Hanna Milewska
“Again they offer their vision guided by a fine hand (...) Thus they can convincingly and intensively convey these works. They also make clear distinctions between the fast, more rhythmic movements and the slow ones, where they allow emotional layers to emerge. In doing so, they also emphasize that this chamber music in particular already points beyond the baroque form in a more gallant compositional direction” - Uwe Krusch
— www.pizzicato.lu
“The interesting project of Prelude Classics Music Record Manufacture is the work of excellent musician Michal Bryla, member of Meccore String Quartet, whom we can now admire in his capacity as a recording producer (...) In his booklet essay, Krzysztof Lipka writes: “Every note of this music remains exactly where Bach’s unique genius once placed it.” Both performers seem to respect this judgment, discovering the accomplished fullness of Bach’s music in the musical dialogue of the violin and the harpsichord, and revealing its secrets to the audience.” - Alina Madry
— Audio Video Magazine
“Aleksandra Bryla and Monika Wozniak played Wolfgang Amadeus Mozart's music as if they were in love with it. They guided me through the treacherous reefs of skepticism and introduced me to a mysterious world to which I return more often than not. Not everyone manages to do that, they do!” - Robert Majewski
— In a Cultural Way